Книги по профессии, которые необходимо прочитать
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«Грамматика киноязыка»
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[av_heading tag=’h1′ padding=’10’ heading=’Ингмар Бергман’ color=» style=’blockquote modern-quote’ custom_font=» size=» subheading_active=» subheading_size=’15’ custom_class=» title_url=»][/av_heading]
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Благие намерения.
Жестокий мир кино (Латернамагика).
(Эрнст Риффе). Лицо Бергмана?
Исповедальные беседы.
Картины.
Каждый фильм – мой последний.
Речь по случаю присуждения премии Эразма.
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[av_heading heading=’Жиль Делёз’ title_url=» tag=’h1′ style=’blockquote modern-quote’ size=» subheading_active=» subheading_size=’15’ padding=’10’ color=» custom_font=»][/av_heading]
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Кино
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[av_heading heading=’Лидия Дыко, Анатолий Головня’ title_url=» tag=’h1′ style=’blockquote modern-quote’ size=» subheading_active=» subheading_size=’15’ padding=’10’ color=» custom_font=»][/av_heading]
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Фотокомпозиция
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[av_heading heading=’Валентин Железняков’ title_url=» tag=’h1′ style=’blockquote modern-quote’ size=» subheading_active=» subheading_size=’15’ padding=’10’ color=» custom_font=»][/av_heading]
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Цвет и контраст. Технология и творческий выбор
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[av_heading heading=’Отар Иоселиани’ title_url=» tag=’h1′ style=’blockquote modern-quote’ size=» subheading_active=» subheading_size=’15’ padding=’10’ color=» custom_font=»][/av_heading]
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Сочинение фильма
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[av_heading heading=’Кшиштоф Кесьлевский’ title_url=» tag=’h1′ style=’blockquote modern-quote’ size=» subheading_active=» subheading_size=’15’ padding=’10’ color=» custom_font=»][/av_heading]
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Шесть актёров в поисках режиссёра
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[av_heading heading=’Зигфрид Кракауэр’ title_url=» tag=’h1′ style=’blockquote modern-quote’ size=» subheading_active=» subheading_size=’15’ padding=’10’ color=» custom_font=»][/av_heading]
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Природа фильма. Реабилитация физической реальности
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[av_heading tag=’h1′ padding=’10’ heading=’Акира Куросава’ color=» style=’blockquote modern-quote’ custom_font=» size=» subheading_active=» subheading_size=’15’ custom_class=» title_url=»][/av_heading]
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Что-то вроде автобиографии
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[av_heading heading=’Сидни Люмет’ title_url=» tag=’h1′ style=’blockquote modern-quote’ size=» subheading_active=» subheading_size=’15’ padding=’10’ color=» custom_font=»][/av_heading]
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Как делается кино
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Панорамирование как творческий прием оператора-документалиста.
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Кино, театр, бессознательное.
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[av_heading heading=’Дмитрий Салынский’ title_url=» tag=’h1′ style=’blockquote modern-quote’ size=» subheading_active=» subheading_size=’15’ padding=’10’ color=» custom_font=»][/av_heading]
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Герменевтика Тарковского
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Лекции по кинорежиссуре.
Лекции: Сценарий.
Запечатленное время.
Мартиролог. Дневники.
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[av_heading heading=’Франсуа Трюффо’ title_url=» tag=’h1′ style=’blockquote modern-quote’ size=» subheading_active=» subheading_size=’15’ padding=’10’ color=» custom_font=»][/av_heading]
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Хичкок/Трюффо
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[av_heading heading=’Питер Уорд’ title_url=» tag=’h1′ style=’blockquote modern-quote’ size=» subheading_active=» subheading_size=’15’ padding=’10’ color=» custom_font=»][/av_heading]
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Композиция кадра в кино и на телевидении
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[av_heading heading=’Федерико Феллини’ title_url=» tag=’h1′ style=’blockquote modern-quote’ size=» subheading_active=» subheading_size=’15’ padding=’10’ color=» custom_font=»][/av_heading]
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Делать фильм
Я вспоминаю
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[av_heading heading=’Виктор Шкловский’ title_url=» tag=’h1′ style=’blockquote modern-quote’ size=» subheading_active=» subheading_size=’15’ padding=’10’ color=» custom_font=»][/av_heading]
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Эйзенштейн
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[av_heading tag=’h1′ padding=’10’ heading=’Сергей Эйзенштейн’ color=» style=’blockquote modern-quote’ custom_font=» size=» subheading_active=» subheading_size=’15’ custom_class=» title_url=»][/av_heading]
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Будущее звуковой фильмы.
Четвёртое измерение в кино.
Двенадцать апостолов.
Как я стал режиссёром.
Монтаж (1938).
Монтаж аттракционов.
Вертикальный монтаж.
Волки и овцы.
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[av_heading heading=’Михаил Ямпольский’ title_url=» tag=’h1′ style=’blockquote modern-quote’ size=» subheading_active=» subheading_size=’15’ padding=’10’ color=» custom_font=»][/av_heading]
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Из истории французской киномысли: Немое кино 1911-1933 гг.
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